अन्वयः
AI
गन्धर्व-विद्याधर-कण्ठ-नाला, त्रयी-मयी-भूत-वली-विभङ्गा, साहित्य-निर्वर्तित-दृक्-तरङ्गा सा बाला मध्ये-सभम् अवततार ।
Summary
AI
Then she, the youthful goddess Sarasvati, descended into the assembly. Her throat was the source of the music of Gandharvas and Vidyadharas. The three folds of her waist embodied the three Vedas, and the playful waves of her glances were crafted from the essence of literature itself.
पदच्छेदः
AI
| मध्येसभम् | मध्येसभम् | into the middle of the assembly |
| सा | तद् (१.१) | she |
| अवततार | अवततार (अव√तृ कर्तरि लिट् (परस्मै.) प्र.पु. एक.) | descended |
| बाला | बाला (१.१) | the young woman |
| गन्धर्वविद्याधरकण्ठनाला | गन्धर्व–विद्याधर–कण्ठ–नाला (१.१) | whose throat was the stalk for the songs of Gandharvas and Vidyadharas |
| त्रयीमयीभूतवलीविभङ्गा | त्रयी–मयी–भूत–वली–विभङ्ग (१.१) | whose three folds on her stomach were the three Vedas personified |
| साहित्यनिर्वर्तितदृक्तरङ्गा | साहित्य–निर्वर्तित–दृश्–तरङ्ग (१.१) | whose wave-like glances were created from literature |
छन्दः
उपजातिः [११]
छन्दोविश्लेषणम्
| १ | २ | ३ | ४ | ५ | ६ | ७ | ८ | ९ | १० | ११ |
|---|---|---|---|---|---|---|---|---|---|---|
| म | ध्ये | स | भं | सा | व | त | ता | र | बा | ला |
| ग | न्ध | र्व | वि | द्या | ध | र | क | ण्ठ | ना | ला |
| त्र | यी | म | यी | भू | त | व | ली | वि | भ | ङ्गा |
| सा | हि | त्य | नि | र्व | र्ति | त | दृ | क्त | र | ङ्गा |
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